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arpeggia:

Ryo Fujimoto - Planet, 2010 

arpeggia:

Daido Moriyama - Untitled from Bye-bye Polariod, 2008

See more Daido Moriyama posts here.

arpeggia:

Daido Moriyama - Untitled from Bye-bye Polariod, 2008

See more Daido Moriyama posts here.

quartodisecolo:

(via This artist uses jigsaw puzzles, with the same die cut pattern, to make these terrific mashups / Boing Boing)

(via hectograph)

eiruvsq:

Artist:

Andi Soto

“Salut! III @gallerynucleus
November 16 - December 6

Mark your calendars/agendas/ librito de notas/ tattoo it on your arm or leg or whatever.
I enjoyed working on these babies and I hope you like them too… if not, well, pueden besarme la nalga derecha✨ (how mature).”

https://www.instagram.com/gallerynucleus/

arpeggia:

Tom Phillips - A Humument, First Edition, 1973

“A Humument has been a work in progress since 1966 when artist Tom Phillips set himself a task: to find a second-hand book for threepence and alter every page by painting, collage and cut-up techniques to create an entirely new version. The book he found was an 1892 Victorian obscurity A Human Document by W.H. Mallock and Phillips transformed it into A Humument. The first version was printed by the Tetrad press in 1973, and Phillips has continued to transform it, revise it and develop it ever since.”

See more Tom Phillips posts here.

redlipstickresurrected:

Tishk Barzanji (Kurdish, b. Kurdistan, Iraq, based London, England) - 1: Mind Seduction, 2016  2: Linger, 2016  3: Bathe - Collaboration with Charlotte Edey, 2017  4: Newroz, 2017  5: Immigrant, 2017  6: You Are Intriguing, 2017  7: Walking with the Stars, 2017  8: Tiny Earthquakes, 2017  9: Fear and Cherish, 2017  Mixed Media/Digital Arts

(via insertetitulo)

arpeggia:

Anne Ten Donkelaar - Underwater ballet scene 8, 30 x 110 x 5 cm

A choreography for flowers, dancing on the subtile sounds of air bubbles. Floating gracefully around in the cold water.
A silent image of a spirited dance.

arpeggia:

Daniel Shipp - Botanical Inquiry, 2014-2015 

Artist’s statement:

“Botanical Inquiry is a series of photographic dioramas that shuffle nature, geography, and physics into familiar but fictional environments. In these compositions the physical characteristics of the unremarkable plants I have collected become storytelling elements which, when staged against the backdrop of common urban environments, explore the quietly menacing effect that humans have on the natural world. From a subjective and ambiguous point of view we witness the plants ability to adapt and survive. By manipulating the optical and staging properties of photography with an analogue machine that I have constructed, I have produced these studio based images in camera rather using Photoshop compositing. They rely exclusively on the singular perspective of the camera to render their mechanics invisible.”